Since 2020 Belarusians have fled en masse from growing repressions inside the country. Civil society and independent culture are now only possible in exile. The stories of Belarusian artists and cultural activists illustrate the resilience and creativity of a community determined to preserve its identity and proceed aspiration for freedom.

Belarusian artists and cultural figures have found themselves increasingly targeted by a regime that views independent thought and creativity as threats to its control in recent years. As a result, the cultural sphere in Belarus has become one of the battlegrounds for the suppression of dissent. The government’s efforts to control and politicize culture have led to censorship, forced closures of cultural institutions, and the persecution of artists who challenge or fail to align with the state's ideological narratives. Yet despite these obstacles, Belarusian culture continues to evolve, with artists voicing their messages at the international level; integrating into a new environment; forming new communities and connections; and spreading the culture.

In Belarus, discrimination in the cultural sector has been shown to be both institutional and systemic, with the Belarusian PEN Club reporting that cultural life is the area where civil liberties are regressing most rapidly. At least 105 cultural figures have now been imprisoned in Belarus for their commitment to democratic ideals and freedom.

In Belarus, protest movements have always drawn strength from some societal undercurrents that may not be immediately visible to all people. This latent power resembles similar movements in other parts of Europe and the post-Soviet states. Historically speaking, despite the constraints of the Iron Curtain, the societies living in the socialist states were never completely isolated from global developments, including the protest culture of the 1960s. Thus, throughout the history of protest actions, we have witnessed such significant events as the 1965 demonstrations at the Red Square; the Sinyavsky-Daniel trial of 1966; the Prague Spring in 1968; the Solidarity movement in Poland; and the Autumn of Nations in 1989-1990 across Central and Eastern Europe.

Belarusians undertake a desperate quest for Schengen visas amidst persisting mass repressions and Russian expansion.

The number of Belarusians in exile continues to grow following the crackdowns and repressions after the falsified elections in 2020. Most of those who leave cannot return until a major change in Belarus. As seen in the experiences of three young Belarusian activists, the emotional toll can sometimes be a high price to pay following the decision to escape.

It has been more than three years since the 2020 election in Belarus and the subsequent protests following the falsified victory of Alyaksandr Lukashenka. During this period, thousands of people have faced political persecution and currently there are nearly 1,500 political prisoners in Belarus. People continue to be arrested for disagreeing with the regime, and since February 2022 for supporting Ukraine.

The story of Andrei Kureichyk is a good reflection of the story of Belarus itself. The playwright turned political activist, who has been in exile since 2020, believes that the idea of an independent and free Belarus cannot be abandoned. His most recent project, Voices of the New Belarus, serve as testimony to this belief.

Once or twice a week, throughout April and May 2023, the Belarusian playwright, filmmaker and political activist Andrei Kureichyk walked down several flights of creaky stairs into the dusty basement of a building in New Haven, Connecticut. The basement, belonging to Yale University’s School of Drama, had been converted a number of years earlier into a recording studio, and Kureichyk was joined by an audio engineer in training as well as a different voice actor each visit. Some were student or professional actors; some were intellectuals or professors. They had been recruited for Kureichyk’s project Voices of the New Belarus, a multimedia adaption of his play of the same title.