Memory should be directed at the future
An interview with Ihor Poshyvailo, director of the National Memorial to the Heavenly Hundred Heroes and Revolution of Dignity Museum (Maidan Museum) in Kyiv. Interviewer: Tomasz Lachowski
TOMASZ LACHOWSKI: You are the director of the Maidan Museum, the fundamental role of which is to commemorate events of the Revolution of Dignity that occurred during the winter of 2013 and 2014 in Kyiv. We often understand museums as institutions that present historical events long after they happened. In the case of the Maidan, we are talking about events that happened only several years ago. When exactly did the idea to create a museum appear and how did you manage to develop the project?
IHOR POSHYVAILO: The Maidan Museum as an idea was initiated during the Revolution of Dignity itself. My museum colleagues and I decided to document as carefully as possible what was happening in Kyiv. We realised quite early that what was taking place in the winter of 2013 and 2014 certainly would not be a simple repetition of the Orange Revolution of 2004, and we became well aware that we had to be among and with the people at this exceptional time. The turning point was certainly January 16th 2014, when the so-called “dictatorial laws” were enacted by the Verkhovna Rada of Ukraine and violent clashes broke out, even though we had been documenting the protests at the very beginning of the movement.
TOMASZ LACHOWSKI: You are the director of the Maidan Museum, the fundamental role of which is to commemorate events of the Revolution of Dignity that occurred during the winter of 2013 and 2014 in Kyiv. We often understand museums as institutions that present historical events long after they happened. In the case of the Maidan, we are talking about events that happened only several years ago. When exactly did the idea to create a museum appear and how did you manage to develop the project?
IHOR POSHYVAILO: The Maidan Museum as an idea was initiated during the Revolution of Dignity itself. My museum colleagues and I decided to document as carefully as possible what was happening in Kyiv. We realised quite early that what was taking place in the winter of 2013 and 2014 certainly would not be a simple repetition of the Orange Revolution of 2004, and we became well aware that we had to be among and with the people at this exceptional time. The turning point was certainly January 16th 2014, when the so-called “dictatorial laws” were enacted by the Verkhovna Rada of Ukraine and violent clashes broke out, even though we had been documenting the protests at the very beginning of the movement.
September 4, 2020 - Ihor Poshyvailo Tomasz Lachowski
