A conversation with Sophy Roberts, a writer, journalist and author of The Lost Pianos of Siberia. Interviewer: JP O' Malley

JP O' MALLEY: What brought you to Siberia and why did you write this book?

SOPHY ROBERTS: I spent a lot of time in Mongolia where I formed a friendship with a pianist. When you spend time in a place like Mongolia, certain things start to resonate differently. You see that there are less boundaries, for instance, than there are in Western Europe. Especially when it comes to [physical] space. In Siberia, just across the border from Mongolia, I saw an extension of that feeling. You feel like you are stepping back into a world before we became such a dominant species. As a traveller with a curious eye, that appealed to me. I find it compelling spiritually. Siberia as a place has always carried a certain kind of romance to it. I still remember looking at a map of it when I was a child and thinking about how big it was but not knowing what lay within it. I'm also a bit of a loner, so those environments are places I'm drawn to.

Until recently a flag, painted on the balustrade, contrasted the otherwise concrete-grey waterfront next to the Angara River, which trenches the city of Irkutsk into halves. Its rainbow colors attracted attention of disapproving minds. Now it is gone, but those who painted it to hint at their irrevocable existence are still here. One of them stands at […]

This article originally appeared in "Meanwhile in the Baltics...", a collection of articles written by the graduates of 2016 Solidarity Academy - Baltic Sea Youth Dialogue, organised by the European Solidarity Centre in partnership with the Council of the Baltic Sea States.

This article originally appeared in Deep Baltic and was republished in "Meanwhile in the Baltics...", a collection of articles written by the graduates of 2016 Solidarity Academy - Baltic Sea Youth Dialogue, organised by the European Solidarity Centre in partnership with the Council of the Baltic Sea States.