Colonel Konstanty Drucki-Lubecki was an aristocrat and an experiencend, talented soldier that defended Poland again in 1939. “It is a strange coincidence that I fought against the Germans and ended up in Soviet captivity”, he wrote in the POW camp. He was later murdered in the Katyń massacre.

The story of local Belarusians who collaborated with Nazi Germany is often a forgotten page of history. Yet, their brutal tactics and participation in the extermination of Jews and other populations are a sad reminder of life under occupation, as was the case of the Barysau police officers.

I remember when I was a small boy, I used to ride my bike with my grandfather. In one village near Babruisk, my grandfather would start a conversation with a local resident. The villager would ask, “Are you interested in the history of the war?” “Do you see the house on the left? A policeman lived there. So there was a lot of blood on the hands of this policeman. He shot Jews and Soviet POWs. He didn’t run away with the Germans; he was hiding here. Caught, and tried. Got a quarter, 25 years. No one else had seen him here.”

August 23rd marks the anniversary of the infamous Non-Aggression Pact between the Soviet Union and Nazi Germany. While the document ultimately led to the start of the Second World War, the Kremlin continues to challenge this historical consensus. This corresponds with Moscow’s past attempts to obscure the memory of millions of Jews who suffered directly as a result of the agreement.

Recent news from Ukraine has revealed numerous instances of abuse faced by women and girls in occupied areas. In order to understand such crimes, it is necessary to look at the experiences of those who suffered at the hands of the Soviet army around the end of the Second World War.

Historical memory related to the Second World War is too complex for there to be a single version recognised around the world. This is because historical “truth” is by no means a simple matter of black and white. Addressing various blindspots and imbalances in understandings of the past may subsequently help tackle difficult historical legacies at political, legal and civil society levels.

The Second World War, with its unprecedented death toll, is the most painful and widespread armed conflict present in the collective memories of nations in the modern era. It was in fact many wars in one, with different front lines, enemies and consequences that can still be felt today. In an attempt to bridge the gap between different perspectives across the continents, the EU-Russia Civil Society Forum and its history programme “Confronting Memories” held the third discussion in its series on the Second World War in May 2021. This is part of various ongoing socio-political debates on postwar memory-making. This series of discussions aims to broaden understandings of the war’s history beyond the mainstream narratives and to draw lessons from human suffering and injustice that are often overlooked.

On May 14th, Alyaksandr Lukashenka approved a new law on preventing the rehabilitation of Nazism. It quickly became a part of the regime's strategy to suppress Belarusian civil society following the 2020 presidential election. The authorities also launched a criminal investigation into the genocide of Belarus’s population during WWII.

Constantin Iordachi and Ferenc Laczó discuss the aftermath of the Second World War and Romanian–Hungarian relations.

Constantin Iordachi and Ferenc Laczó discuss fascism and the Second World War in Romania.

The Second World War remains one of the most painful and conflicting episodes of the European nations’ memories. Present conflicts are embedded in history and in the use of history as a political tool. The cases of Poland and Germany illustrate how challenging it can be to commemorate history, especially in a politicised environment.

In Poland during the communist period and until 1989, it was nearly impossible to openly talk about the Second World War. First, due to friendship with the Soviet Union and later, after the fall of communism, Poland was busy creating its own government, introducing the democratic culture and fighting with an economic crisis in order to transform the country it became between 1989 and 2000. After this period, history and commemoration events started to play a very important role for the national and political identity of the country. Like in other Central and Eastern European states, Poland is an example of how history is used as a political tool in the museum narratives and exhibition forms, which also trigger conflicts.

Recently declassified sources of Soviet Military Archives give a better insight into the attempted escape of the German-Hungarian defenders of Budapest on February 11th 1945. Estimates have put the number of Germans who attempted to escape the siege at around 20,000-22,000. Most of them ended up being captured, wounded or killed.

The siege of Budapest of 1944-1945 and its tragic finale – the so-called “breaking-out” [of Buda] – is a very popular and well-researched topic of modern Hungarian history. Several books and articles have been published not only in Hungarian, but in many other languages as well. However, the research of this period was difficult until the very recent years – as the Russian Military Archives (more precisely the CAMO) did not allow anybody to research the classified materials. Because of that, research findings were quite asymmetrical, mostly based on German and Hungarian archive sources and reminiscences, but lacked the other half: the Soviet point of view.

An interview with Marcin Przydacz, Deputy Minister of Foreign Affairs of the Republic of Poland. Interviewer: Michał Potocki.

Modernisation appeared to spell economic deprivation for large segments of the Weimar Republic’s society. They felt threatened by uncertainties; in fact, hopes and expectations about the future were disrupted. Aggression turned against democratic institutions and minorities depicted as scapegoats.

On October 15th 1929, the Fritz Lang film Woman in the Moon premiered at the Ufa-Palast am Zoo in Berlin. The cinema’s façade had been redesigned for the event. Launched from a skyscraper silhouette, a spaceship replica shuttled back and forth to the moon against the backdrop of a starry sky simulated by hundreds of light bulbs. Offering tantalising visions of future technology – not quite unlike Bauhaus architecture with its twin promise of functionalist building and re-styled urban life, it conveyed the impression of epitomising a cosmopolitan republic that eagerly embraced modernity.