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Author: Tomasz Kamusella

Dreaming of Tannu-Tuva: Soviet precursors to Russia’s hybrid warfare

The case of Tuva shows that Russia is no novice to hybrid warfare.

March 20, 2020 - Tomasz Kamusella

Nobles and serfs

The United Arab Emirates and Poland-Lithuania compared and why sunshine and newspapers do not mix.

March 2, 2020 - Tomasz Kamusella

Is hot air mightier than states?

The big Central European history of a little tail (ogonek)

December 12, 2019 - Tomasz Kamusella

EU flags for Balkan tyrant and ethnic cleanser

EU flags are present for another year as Todor Zhivkov's birth is celebrated in Pravets.

September 17, 2019 - Tomasz Kamusella

Polonia in Israel

The concept of Polish Diaspora and antisemitism.

August 23, 2019 - Tomasz Kamusella

After Ukraine’s new language law, it is high time for Ukrainian Russian

A State Institute of Ukrainian Russian needs to be established as a matter of urgency.

August 7, 2019 - Tomasz Kamusella

Eighty years later: Under the map of Europe

Maps are more than just visual aids for understanding the land around us. They give valuable insight into history as well.

July 12, 2019 - Tomasz Kamusella

Banishing Yiddish

On tacit antisemitism in academia.

July 5, 2019 - Tomasz Kamusella

Krupp in Greifswald

On the perils of forgetting about the Holocaust.

June 18, 2019 - Tomasz Kamusella

Belarusian culture: Still a terra incognita

Review of Alhierd Bacharevič's Maje Dzievianostyja (My 1990s).

June 5, 2019 - Tomasz Kamusella

Estonian Russian. If or when?

The Russian language is the only 'big language' in the world to remain so closely connected to its parent nation-state, Russia. Despite the fact that it is used so widely across the post-Soviet sphere, there are no official country-specific varieties of the Russian language. This kind of ethnolinguistic nationalism is yet another mode by which Moscow influences the “near-abroad” and even European Union member states.

May 8, 2019 - Tomasz Kamusella

Art and sex in communist Albania

Stalinist dogma called for socialist realist art that was meant to reproduce an enhanced (that is, unreal) reflection of the reality of “the people’s work and progress”. The stories of the pieces on display at a 2015 art exhibit in Tirana’s National Art Gallery demonstrate that socialist realist art was also quite prudish – but sometimes sexual, “anti-communist” art made it past the censors.

April 10, 2019 - Tomasz Kamusella

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