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Author: Karolina Kluczewska

The controversy about Tajikistan’s history textbooks

Among its Central Asian neighbours, Tajikistan’s history textbooks still most closely resemble official accounts from the Soviet era. They stress the evils of the Russian Empire’s expansion to the region. At the same time, they also remain fairly positive about Tajikistan’s Soviet experience, underlining the Tajik Soviet Socialist Republic’s contribution to the Soviet state. Perhaps as a result, they have been caught in Russia’s crosshairs.

School textbooks are telling examples of official interpretations of history. They exemplify the narratives that are taught to children as part of their civic socialization controlled by governments. In countries that gained independence after the Soviet collapse, the shifts in historical narratives have been intrinsically linked to the reimagining of these countries’ Soviet past by attributing them with new meanings through the prism of post-Soviet nation-building processes. With Russia’s full-scale invasion of Ukraine in 2022, the debates about history textbooks gained a new momentum, and a new meaning.

February 28, 2025 - Karolina Kluczewska

Nascent, destroyed, aspiring: three cinematic visions of Dushanbe

The past century has seen the Tajik capital Dushanbe change in many ways. As the city celebrates its first one hundred years at the country’s heart, it is worth looking back at the media that has encapsulated its many eras.

August 14, 2024 - Karolina Kluczewska

Murivat Beknazarov’s art as memory

: The collapse of the Soviet Union meant more than just the fall of a government. For many, it also brought about the end of a way of life. This includes the artist Murivat Beknazarov, who through his work fought to defend the memories of Soviet Tajikistan’s unique cultural life.

When I went to meet Murivat Beknazarov in his studio in Dushanbe for the first time, on a warm autumn day in 2018, he explained to me the location by phone. Since street names are rarely known due to frequent renaming, he told me to find the so-called “artists’ house” in the north of the city. “Just ask around, everyone knows this place,” he said. That was probably the case in Soviet times, but not anymore. As it turned out, no one knew where this place was, not even people living in neighbouring buildings.

April 11, 2024 - Karolina Kluczewska

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