A conversation with Grzegorz Kwiatkowski, a Polish poet, and Trupa Trupa, songwriter, vocalist and guitarist. Interviewer: Jacek Hajduk

JACEK HAJDUK: During the 2019 SXSW Music Festival you dedicated the performance of your group, Trupa Trupa, to the memory of the late Gdańsk mayor, Paweł Adamowicz. Let us then start with Gdańsk. How much of this city is with you today? And how was it before? Which faces of this multi-layered urban centre are close to your heart?

GRZEGORZ KWIATKOWSKI: Today, Gdańsk is a big part of me, unlike in the past. Back then I was more interested in self-isolating myself and creating a kind of enclave in one of its districts – Gdańsk Wrzeszcz. This actually is still my ideal, but now I also understand the impact that this city has on me and my poetry. This is mainly because of my family stories.

A review of The Temptation of Homo Europaeus: An Intellectual History of Central and Southeastern Europe. By: Victor Neumann. Publisher: Scala Arts Publishers, London, 2021.

In Paris Adam Zagajewski, one of Poland’s most distinguished contemporary poets, penned many of his most important works, including the poem To go to Lvov. This poem is often regarded as his most distinguished piece of work – a story of death and destruction, but also about life.

On September 11th 2001, the day of the terrorist attack on the twin towers of the World Trade Center in New York City and the Pentagon building in Washington, DC, the editors of the New Yorker gathered in the evening to decide how their magazine should ade-quately react to the tragic events of that day. The editor-in-chief, David Remnick, suggested the best way to commemorate the victims in the next issue – the now famous for its pitch black cover – would be through the publication of a poem. He was convinced that only poet-ry had the power of expression in the aftermath of such a tragedy. The editors thus started their search for the right poem to express the gravity and sorrow of the event, and at first they could not find anything that was adequate.

In the first half of the 11th century, the Byzantine Empire, a global empire with the capital in Constantinople, had a territory which comprised of the lands that belong to today’s Greece, the Balkans, Turkey, Armenia and Crimea, as well as Syria and Italy. The Byzantine Empire, which played an important role in the Middle Ages, had contacts with Slavic countries and directly influenced the statehood and religious life in what today we call Eastern Europe.

Europe is an idea. Matter-of-factly, the European civilisation, as we call it today, had come into being before states and nations, its capricious children, were born. Throughout the ages, it matured, was formed and clashed with other civilisations. It learnt from them and shared its achievements with them. Finally, as a result of these clashes, as well as the less noticeable internal transformations, this concept has undergone numerous metamorphoses.

The region of today’s Central and Eastern Europe was mostly part of the eastern half of the Roman Empire. Its religion, writings, customs and traditions came from Byzantium rather than Rome. One exception is Poland, which was baptised in the western style and not by Cyril and Methodius. This fact, however, could be interpreted as the main cause of Poland’s great tragedy.

The world we came to live in today should not have come to us as a big surprise. Neither should the internal problems of the European Union, which, the late Polish science fiction writer, Stanisław Lem, even predicted some time ago. Earlier events such as the Arab Spring, or the weakening position of the United States, and Russia’s imperial aspirations should not have shocked us either.