In the name of Matilda
Alexei Uchitel’s film Matilda (released in October 2017) was the most discussed cinematographic event in Russia last year. Similarly, strong emotions were generated in 2014 when the director Andrey Zvyagintsev released his Russian tragedy film, Leviathan. Both productions were accompanied by scandals and received widespread media attention. Admittedly, there is a fundamental difference between the two films. While the latter is a mature piece of artwork (one that tackles the profound problem of the citizen-state relationship), the former has very little to offer, both in terms of content and aesthetics. Assumedly, had there not been a scandal surrounding the release, the world would probably never have learnt about Matilda.