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Tag: Film

Serbian director finds way to confront dark past

Serbian film director Vladimir Perišić seems perfectly content belonging to a tradition of cinema that operates outside of the mainstream. There are no big budgets or huge audiences. But he is okay with that and can still find a cult audience across Europe that appreciates his work. “I like to work with small crews and non-actors and being in this marginal position allows me to have this artistic freedom,” he admits.

Vladimir Perišić is not intentionally trying to sound like Vladimir Putin. But the Serbian director is deadly serious when he says that “the break-up of Yugoslavia was a huge historical mistake.” He claims the six ex-Yugoslav republics – Bosnia and Herzegovina, Croatia, Slovenia, Macedonia, Montenegro and Serbia (including the regions of Kosovo and Vojvodina) – are today “all obsessed with their national histories, most of which are a total fantasy”.

April 11, 2024 - J P O’ Malley

The Oscar which Ukraine wished it never won

The Ukrainian film 20 Days in Mariupol recently won an Oscar for its vivid depiction of Russia’s aggression against the city. Set in the early weeks of the invasion, the documentary gives insight into the struggles and brutality faced by Ukrainians to this very day. Indeed, for many the film is still too difficult to watch.

March 27, 2024 - Kateryna Pryshchepa

The (in)famous Dovbush. A robber of trust?

A review of Dovbush. A film directed by Oles Sanin. Distributed by Film.Ua Distribution Kinomania, Ukraine (2023).

February 7, 2024 - Grzegorz Szymborski

A forgotten tale of violence from Romania’s recent past

The story of violent clashes that broke out in Sibiu in Romania during late December 1989 is one that many have forgotten since the revolution and regime change. Tudor Giurgiu’s latest film Libertate revisits that turbulent event in Romania. The film not only acts as a reminder of the ruthless terror and chaos of the time but also as a chance for Romanians to reassess their own history.

When Nicolae Ceaușescu's brutal regime collapsed in Romania 34 years ago, Tudor Giurgiu was 18 years old, living in his home city of Cluj-Napoca, in central Transylvania. “For many days and weeks, the country was directionless,” the 51-year-old Romanian film director explains from central Sarajevo, Bosnia, where he is showcasing his latest film Libertate. “People were not talking normally, they were going nuts and there was a lot of shouting, paranoia, and violence.”

November 16, 2023 - JP O'Malley

A tale of emotions

A review of Beanpole. A film directed by Kantemir Balagov, Russia, 2019.

February 15, 2022 - Kinga Gajda

The pain of Gongadze’s unsolved murder

A review of The murder of Gongadze: 20 years of searching for the truth. A documentary film produced by the Public Interest Journalism Lab

November 30, 2021 - Clémence Lavialle Iwona Reichardt

The second edition of the Calvert Journal Film Festival announces its award winners

It’s a wrap for the second edition of the Calvert Journal Film Festival. This year’s virtual gathering, which ran from October 18-31, offered its audience a selection of 35 titles from the New East, with films from across six competition categories battling it out to be named Best Film in their individual section.

November 3, 2021 - The Calvert Journal Film Festival

The Calvert Journal Film Festival announces the full programme of its 2nd edition

The second edition of The Calvert Journal Film Festival will run from 18-31 October. The 14-day online programme will be an intense journey across Eastern Europe, the Balkans, Russia, the Caucasus, and Central Asia through the lens of the region’s independent filmmakers.

October 14, 2021 - The Calvert Journal Film Festival

In Quo Vadis, Aida?, we all share the protagonist’s pain

Review of Jasmila Žbanić’s film "Quo Vadis, Aida?", one of the nominees in the upcoming Oscars in the Best International Feature Film category.

April 23, 2021 - Kristijan Fidanovski

Reimagining futures past: on Nova Lituania

The film Nova Lituania, explores a geographer's idea of a "reserve Lithuania" on the eve of the Second World War.

January 8, 2021 - Alexander Langstaff

Belarus has to become its own country

Interview with Belarusian filmmaker Vlada Senkova. Interviewer: Kateryna Pryshchepa.

November 17, 2020 - Kateryna Pryshchepa Vlada Senkova

An unappreciated effort

A Hollywood budget, important factual inspiration and a non-American director – all these features may be considered as providing the right opportunity for a high-quality movie. The latest film by Polish Oscar nominee Agnieszka Holland – Mr Jones – combines all of them. Yet, the Hollywood finances and the predictable filming style became too visible, distracting from a much-needed history lesson.

January 29, 2020 - Grzegorz Szymborski

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