December 4, 2018 - Oleksandra Iwaniuk
October 31, 2017 - Oleksandra Iwaniuk
This issue takes a special look at the role and responsibility of the public intellectual in Central and Eastern Europe today.
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In the eastern parts of the European continent, 1918 is remembered not only as the end of the First World War, but also saw the emergence of newly-independent states and the rise of geopolitical struggles which are felt until this day.
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It often seems, at least from the outside, that Belarus remains isolated from the West and very static in its transformation. Yet, despite its relative isolation, Belarus is indeed changing.
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The Summer 2018 issue of New Eastern Europe tackles the complexity of para-states in the post-Soviet space.
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Vladimir Putin is set to win a fourth term as president of the Russian Federation. The March-April 2018 issue takes a deeper look at the consequences of Putin’s presidency and what could eventually come after…
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The first issue of 2018 looks at the rise of a new generation in the post-Soivet space – one that may be radically different than previous Soviet and immediate post-Soviet generations.
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Central Asia is an ethnically, geographically and culturally diverse region, covering a similar land mass as the European Union. Yet, it remains one of the least familiar to the general public in the West.
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We cannot deny there is something idiosyncratic about the former Soviet bloc which links its societies together. Either through common experience or history (or both).
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“The price of Europeanising the Balkans is much higher than the price of the Balkanisation of Europe,” claims Zagreb-based writer Miljenko Jergović in the opening essay to this issue of New Eastern Europe.
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If there is one phrase that is being repeated like a mantra in 2017, it is that “the world is upside down”.
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In this issue we explore the phenomenon which has played a key role in this region for centuries: revolutions.
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Five years since the first issue of New Eastern Europe, we return to the topic of that first issue: Borders.
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This issue depicts the plight of the political prisoners in our region, whose voices we barely hear.
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