Review of Jasmila Žbanić’s film "Quo Vadis, Aida?", one of the nominees in the upcoming Oscars in the Best International Feature Film category.

Werner Herzog’s documentary Meeting Gorbachev seems to be a cinematic expression of the West’s love of Mikhail Gorbachev. And if there is one central theme to the film, it is Gorbachev shunning responsibility for his failures one after another.
In 2001 George Bush infamously proclaimed he had read Vladimir Putin’s soul – and liked what he saw. Last year, the acclaimed German filmmaker, Werner Herzog, engaged in a similarly occult exercise with Mikhail Gorbachev, reaching an equally favourable conclusion. To call Herzog’s ambitiously titled documentary Meeting Gorbachev occult is hardly an exaggeration, since any factual account of Gorbachev’s legacy would produce a more mixed verdict. Sympathetic to Gorbachev’s old age, and even more to the gradual erosion of many of Gorbachev’s achievements over the last 30 years, Herzog brackets out Gorbachev’s shortcomings and takes his seductively peace-loving rhetoric at face value.

Three reasons why one swallow does not make a (Balkan) summer.

If birth rates in Russia do not rise, though, the painful reforms will be for nothing