Stories and ideas

Prejudice against foreigners runs deep in Hungarian society and this will require complex, large scale changes in order to solve. This includes bureaucratic reform, civil campaigns and better language and cultural education.

Statistics clearly show that unemployment among people with disabilities in Poland is decreasing. Behind these figures, however, there are many stories of individuals who believe that a growth in employment does not necessarily go hand in hand with creating an open atmosphere in companies. Is the Polish labour market friendly to people with disabilities?

An interview with Kinga Milánkovics, the co-founder of the Hekate Conscious Ageing Foundation. Interviewer: Maja Móczár

The Polish minority in Bosnia and Herzegovina has mostly assimilated over the years. It is during the holidays of Christmas and Easter that the traditions and customs of their ancestors are revived.

Soviet mosaics as artwork can tell a lot about Georgia’s recent history and its socio-cultural transformation. Reducing them to communist propaganda to erase their artistic value is a destructive attempt to wipe out the legacy of the Soviet past from cultural memory.

The issue of granting parental rights to same-sex partners has become the most important fight for equality in modern day Latvia. As parliament prepares to decide on key amendments to the country’s constitution, Latvians are struggling to understand that their freedom should not infringe on the freedom of others.

No one embodies the individual and collective fight for one's liberties and freedom in modern-day Latvia as much as Evita Goša. When her fiancée found out she was not entitled to a ten-day paid leave usually granted to fathers of new-borns, she petitioned the Constitutional Court of Latvia which agreed to hear the case.

The style of the late Moldovan artist Mark Verlan is not easy to classify. According to his nephew, the artist created a style that cannot be found in any other movement. He coined the term “ultra-stiobanism” to describe his uncle’s artistic approach.

Talk to anyone who met Mark Verlan and they will have a story to tell. Like that time when the famous Swiss curator, Harald Szeemann, travelled to Chișinău just to meet him and offer him the opportunity to exhibit his work in BLUT & HONIG (Blood and Honey), a retrospective hosted by the Vienna Essl Collection. During the time that Szeemann spent in Chișinău, Verlan was nowhere to be found, but 25 of his paintings (more than any artist’s present at the exhibition) made it to the retrospective. His friend and fellow artist Pavel Brăila recalls that, at the same exhibition, someone asked Verlan why he did not speak English and the artist sarcastically replied: “It was already difficult for me to learn Russian.”

A conversation with Nini Palavandishvili, a curator and researcher involved in the process of documenting and mapping Soviet-era Mosaics in Georgia. Interviewer: Natalia Mosashvili

NATALIA MOSASHVILI: Can you say a few words about the meaning of Soviet-era mosaics and why they are often reduced to propaganda of the Soviet system?

NINI PALAVANDISHVILI: I would like to start by saying that my position is the following: of course, these mosaics were created during the Soviet times, but they are not necessarily “Soviet” mosaics. During this period mosaics were created in Mexico, America, France, Spain, Portugal, and many other places. Emphasising them as "Soviet mosaics" is not right.