Eastern Europe’s last tango. A journey through the interwar musical scene
C’est sous le ciel de l’Argentine, où la femme est toujours divine (It is under the sky of Argentina, where the woman is always divine), croons the absorbing refrain of the French “Le Dernier Tango” (“The Last Tango”) – a seemingly commonplace helping of the early 20th century tango-fever which had taken Western Europe by storm. Though written in 1913 by French musicians, it was still unquestionably Argentine. The melody had been pilfered from the 1903 “El Choclo” (“The Corn Cob”) by Argentine composer Angel Villoldo and the French lyrics bore those familiar flashes of delirious desire prevalent in any tango of the period.